We watch movies on cable and satellite channels, online, on our iPads and cell phones, buy them at video stores, through the mail, and so on.
You are watching: Formal analysis is the analytical approach primarily concerned with:
3.)Why are movies worthy of serious study, as opposed to being merely an outlet for escape or entertainment?
7.)Almost all ubiquitous commercial, feature-length movies share the same basic and important element of:
11.)The essential quality that separates movies from all other two-dimensional pictorial art forms is:
23. In order to exploit cinema’s capacity for transporting audiences into the world of the story, the commercial filmmaking process stresses:
47. Alternative approaches to film analysis search beneath a movie’s form and content in order to expose:
implicit and hidden meanings that inform our understanding of cinema’s function within popular culture.
The manner in which movies from various countries and societies present their narratives is often profoundly affected by:
Because most movies seek to engage viewers’ emotions and transport them inside the world presented onscreen, the visual vocabulary of film is designed to:
play upon those same instincts that we use to navigate and interpret the visual and aural information of our “real life.”
Which of the following is NOT a method by which movies can diverge from the model of most North American and western European films?
Which of the following is NOT a characteristic of noncommercial alternative films on the fringes of popular culture?
Beyond breaking down a movie to identify the tools and techniques that comprise it, film analysis is also primarily concerned with:
One of the unique properties of movies that distinguishes it from any other visual medium is its capacity to:
One of the most common editing techniques designed to hide the instantaneous and potentially jarring shift from one camera viewpoint to another is:
In regard to viewers’ shared belief systems, how can movies deemed “controversial” or “provocative” be popular with audiences?
championing a protagonist who rejects convention yet ultimately upholds the traditional institutions she seemingly scorns.
As opposed to the theater, how is cinema capable of conveying an object’s physical properties as well as its narrative significance and emotional meaning?
How have motion pictures been recently liberated from the imposed impermanence that helped foster cinematic invisibility?
In order to entertain and not provoke its customers, the film industry usually favors stories and themes that:
Even as Juno seems to call into question some of contemporary America’s attitudes about family, it also:
Just as explicit and implicit meanings need not pertain to the movie as a whole, not all implicit meaning is:
In the scene from Juno where the main character applies lipstick before visiting Mark, the implications of this action are:
A movie adheres to a winning formula in which a protagonist pursues a goal by confronting obstacles.
Which of the following would NOT be an appropriate element to comparatively analyze across a director’s body of work?